Yasmine Dubois, known professionally as Lafawndah (also known as KUKII) is not like 50 other artists within a one-mile radius. Her music draws from wildly unpredictable influences – devotional songs, ambient electronica, the British singer Sade, Iranian folk music and the films of Robert Altman have each had their moment – and refracts them through her own experimental pop sensibilities. She was born in Paris to an Iranian mother and an Egyptian father. She grew up in Paris and Tehran and is now based in London. Lafawndah’s lyrics are deceptive. Take Town Crier from Tan, which sounds as if it might be about an abusive relationship. In some ways it is, but the relationship is instead between a state and its citizens, inspired by her experience of returning to Iran in 2011 around the time of the Green Movement protests. “I want songs to start with intimacy and then as you listen you begin to understand there is more at play,” she says. “It’s hard to suddenly go into bi...
In Spring of 1993 I took a job working at Jonathon's in UConn's Student Union every Friday night from 6:00pm until closing (around 1:00am). My first night there as I looked over the lines of people waiting for food or just socializing, Richard Marx's "Endless Summer Nights" kept playing in my head. The following week in a similar scene Go West's "King of Wishful Thinking" did the same. One night I noticed a girl being carried around on a guy's back. At first due to their comfortable behavior concerning their surroundings I assumed they were older than me but when I thought about it, I figured that given that I was 21 at the time, the odds of this being true was only 25%.