Iranian migration has left a mark on Mexican culture and history that belies its sporadic nature. In recent decades, increasing numbers of Iranians have made their way here, making a home a world away in a country that many say reminds them of their homeland.

The Iranian presence in Mexico dates back centuries to when Mexico City was a thriving capital in Spain's empire. Ships arrived regularly on Manila galleons from the Philippines, bringing luxury goods from Asia in return for Mexican silver. Thousands of people from across Asia crossed to Latin America on these boats.

Among them was Don Pedro de Zarate, a merchant from Isfahan, Iran, who made his way to Mexico City in the 1720s. He was part of a small community of New Julfa Armenians living in the La Merced neighborhood. Accused of being a heretic by the Spanish Inquisition, we only know of their existence because of de Zarate's testimony to the inquisition in Mexico City in 1730.

It is unclear if de Zarate left any ancestors, but his legacy as a merchant lives on among Iranians in Mexico City.

One of the main squares of Polanco, the Mexican capital's answer to Beverly Hills, is crowned by a large sign reading Tapetes Teheran (Tehran Carpets), marking a business founded by the Bahador family more than 20 years ago. Originally from Iran, they moved to Canada before settling in the capital, where members of their family had come before the 1979 revolution.

The carpet business is where Iranians are most visible today, running several shops across the city. In early 2022, the capital's National Museum of Cultures even hosted an exhibit on Iranian rugs, with pieces donated by the Bahadors.

Among the first Persian carpet merchants in Mexico were the Odabashians, who set up shop in 1923. The family, who were Armenians from Erzurum and fled the genocide in the Ottoman Empire, were famous for selling Persian carpets.

The modern wave of Iranian immigration started in the mid-20th century. Amineh Parvaz's grandparents were among them.

"They came looking for a better life, and, after having stopped in many countries, they settled in Mexico," she told MEE. "My father always loved Mexico because it took him in when he was young."

Parvaz, whose mother is Mexican, grew up around Mexico's Arab community. She felt connected to her Iranian heritage, learning Persian and even travelling to Iran.

Parvaz estimated that around 3,000 Iranians live across Mexico, with around 200 in the capital and the rest spread across the country.

Many came following Iran's 1979 revolution. Among them was Badi Zarate-Khalili's mother. She chose Mexico because her sister had moved there prior to 1979.

His mother worked as a housekeeper for several years and eventually studied medicine and became active in social justice issues. On a peace delegation to El Salvador in the 1980s, amidst a civil war there, she met Zarate-Khalili's father, a Mexican from Oaxaca with indigenous heritage.

"He fell in love with her and proposed, but she said no at first," Zarate-Khalili said. "He went and learned Persian and came back a year later and asked her again, this time in Persian. That time she said yes."

Zarate-Khalili grew up speaking Persian at home. His mother cooked Iranian food with Mexican ingredients, getting used to new flavours and adapting them to her favourite dishes.

"She always says that Mazandaran shares a lot with the west of Mexico. They're both semi-tropical and produce lots of fruits and vegetables."

Zarate-Khalili has worked on migration issues and is currently employed at Mexico's Ministry of Equality. He says his mother's experience of displacement informed his path.

"My mother became more Mexican over time, and my dad became more Iranian," he said. "She is proud of being Iranian and never lived in the melancholy of losing her home. She gave her life for the people here, and dedicated herself to making social change in Mexico."

Mohsen Emadi is a poet who fled Iran after the 2009 Green Movement protests and ensuing government crackdown. In 2012, he arrived in Mexico, a country that had fascinated him for years.

"I was always interested in Latin America because of its history, especially its leftist politics. I had read a lot about the Mexican and Cuban Revolutions. I also translated Mexican poetry into Persian," he told MEE, noting that he loved the works of authors Juan Rulfo and Octavio Paz.

Many Iranians note that Mexico City feels very familiar, resembling Tehran in many ways.

Bani Khoshnoudi is an Iranian-American filmmaker whose family left Iran in 1979. Raised in Austin, Texas, she grew up surrounded by Mexican culture.

"When I arrived in Mexico, it felt like a parallel to Iran I'd never experienced before. The city and people reminded me of Iran," she said.

Khoshnoudi's most recent film, Fireflies, inspired by her experiences in Tehran, follows a queer Iranian refugee in the Mexican port Veracruz.

Mexico has also provided a place for Iranian artists to start anew. Classical Persian musician Mehdi Moshtagh's journey to Mexico began after a chance encounter on a bus in the Iranian desert, when group of Mexican tourists took an interest in the setar he carried with him.

"I invited them to a music class I was teaching, and we became friends. I gave them a few of my albums as a present," he said. A few years later, Moshtagh was invited to perform at the Ollin Kan music festival in Mexico City.

"Mexico was totally new for me. I knew nothing about it. In Mexico many people think that in Iran everyone rides camels; in Iran we had a similar view about Mexico," he said, laughing.

His music became so popular that he was able to fully crowdfund the first album of Persian classical music recorded in Mexico, entitled Tarde y Lejos (Far and Late), a nod to the fact that he began working on it in Iran but finished it years later in his new home.

"The fact that the people of Mexico supported it and made it happen was so gratifying for me,” he said.

His most recent venture, Perxico, brings together Persian and Mexican instruments, rhythms, and musicians to produce a fusion that embodies the identity he's created.

"From the beginning, I missed Iran. But after a few years, I started to realise that when I went to Iran I missed Mexico, too. This country and its people became a part of me," a fact that is reflected in the album.