Yasmine Dubois, known professionally as Lafawndah (also known as KUKII) is not like 50 other artists within a one-mile radius. Her music draws from wildly unpredictable influences – devotional songs, ambient electronica, the British singer Sade, Iranian folk music and the films of Robert Altman have each had their moment – and refracts them through her own experimental pop sensibilities. She was born in Paris to an Iranian mother and an Egyptian father. She grew up in Paris and Tehran and is now based in London.

Lafawndah’s lyrics are deceptive. Take Town Crier from Tan, which sounds as if it might be about an abusive relationship. In some ways it is, but the relationship is instead between a state and its citizens, inspired by her experience of returning to Iran in 2011 around the time of the Green Movement protests. “I want songs to start with intimacy and then as you listen you begin to understand there is more at play,” she says. “It’s hard to suddenly go into big discourses and talk about civil disobedience; my solution to talk about those matters is to make them sound relatable.”