Skip to main content

Renowned for her fearless use of color and form, Iranian architect and designer India Mahdavi blends cultural richness with commercial clarity. Her interiors radiate personality: spaces that don’t just invite you in, but speak directly to how you want to feel once inside. For designers and clients alike, her work is a masterclass in atmosphere — demonstrating how color, materiality, and storytelling can shape both brand identity and user experience. From five-star hotels to global retail icons, Mahdavi’s spaces are as playful as they are precise. These five defining projects don’t just reflect a career that continues to shape the international design conversation, they show that in a world often drawn to minimalism, maximalism — when done right — can be timeless, tactile, and deeply human.


"I was born in Iran from an academic Iranian father and an Egyptian English mother. We moved to the United States when I was a year and a half and lived in Cambridge, Massachusetts, for four years. Then we moved to Heidelberg and after that to the south of France." 

Comments

Popular posts from this blog

"My parents, brother, and I left Iran in 1980, shortly after the revolution. After a brief stay in Italy, we packed all our belongings once again and headed west to the exotic and the unknown: Vancouver. We had recently been accepted as landed immigrants, meaning Canada graciously opened its doors and we gratefully accepted; we arrived at Vancouver International Airport on my 10th birthday, three suitcases and one sewing machine in tow. After respectful but intense questioning at immigration, we were dropped off at a hotel on Robson Street, which was then still a couple years shy of becoming the fashionable tourist hub it is today. We were jetlagged, culture shocked, and hungry, so that first night, my father and brother courageously ventured out into the wild in search of provisions. I fell asleep before they returned. The next morning, I woke up at 5 a.m. and ravenously feasted on a cold Quarter Pounder with cheese and limp French fries that had been left by my beds...
One day I took the minibus back from school. It was completely packed yet I somehow managed to squeeze myself in. I knew sooner or later some people would get off and per the unwritten rule of busses and minibuses everyone would gradually move towards the end of the bus and thus save me from getting crushed against the door. We had only travelled a short distance when the minibus stopped to let some passengers off. Another passenger and I stepped down to allow them to pass and as we stood there the passenger suddenly exclaimed, “What happened to my wallet? Did someone just steal it?” I wasn’t sure if he was serious or just making a not-so-comical scene about not identifying which pocket his wallet was in, however, it soon became apparent that his wallet was indeed missing. Initially I briefly considered the possibility that he might have suspected me as the pickpocket and thus directed the earlier conversation towards me. Once we were back on the bus though he repeated his commen...
Stacey was a nurse so Kurt knew she would be able to give him a pretty good idea of how critical it was. On the other hand her knowledge of medical jargon could make her words seem foreign to Kurt. “He’s sustained two injuries. The first one was right on impact, his brain was shaken around pretty badly. It might have even rotated and perhaps nerve fibers were stretched and veins and arteries might have torn too. The second one is an open wound where the skull broke. The brain is exposed in that area. He was probably hit by some kind of sharp object during the collision.” Stacey unsuccessfully tried to disguise a horrifying yelp that she let out. “It's possible the area around the wound is undamaged. He might be facing long-term disabilities. He’s lost a lot of blood and his blood pressure has really dropped from the trauma. He’s really weakened by the blood loss. Plus there’s the loss of oxygen to the brain. The damage may be catastrophic. And then there’s infection…” “When w...